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Yee Eun Nam
![]()
Yee Eun Nam 
about:
current
projects:
THEATRE
/OPERA
/MUSIC
ART
/FILM
contact:
Pigment
Works︎
INVINCIBLE - THE MUSICAL
FEATURING THE MUSIC OF PAT BENATAR & NEIL GIRALDO
MUSIC DIRECTION AND VOCAL ARRANGEMENTS BY Jesse Vargas
ARRANGEMENTS BY Jesse Vargas and Neil Giraldo
ORCHESTRATIONS BY Neil Giraldo and Jesse Vargas
BOOK BY Bradley Bredeweg
DIRECTED BY Tiffany Nichole Greene
choreographer : Galen Hooks
scenic designer : Arnel Sanciano
projection designer : Yee Eun Nam
costume designer : Lena Sands
lighting designer : Elizabeth Harper
sound designer : Cricket S. Myers
@Wallis
Nina Simone: Four Women
by Christina Ham
directed by Logan Vaughn
JACK MAGAW. Scenic Design
JESSICA FORD Costume Design
CHRISTINE A. BINDER Lighting Design
ANDREA ALLMOND Original Music/Sound Design
YEE EUN NAM Projection Design
KEVIN BOSEMAN Choreography
JOANNE DENAUT CSA. Casting
RANDALL K. LUM* Stage Manager
@South Coast Rep
2022
OEDIPUS
Produced by Getty Villa & Deaf West Theater
Directed and Adapted by Jenny Koons
ASL Adaptation by Andrew Morrill and Alexandria Wailes
Deaf West Theatre and Getty Villa
Scenic Design Tanya Orellana
Costume Design Jojo Siu
Lighting Design Jared A. Sayeg
Projection Design Yee Eun Nam
Music & Sound Peter Bayne
Photo by Cassia Davis. © J Paul Getty Trust 2022.
Once Upon a (korean) Time
Daniel K. Isaac | Playwright
Ralph B. Peña | Director
Se Hyun Oh | Scenic Design
Phương Nguyễn | Costume Design
Oliver Wason | Scenic Design
Fabian Obispo | Sound Design
Yee Eun Nam | Projection Design
Alyssa K. Howard | Production Stage Manager
Intuitive Production Management | Production Management
PHOTOS by Richard Termine and Yee Eun Nam
@Ma-Yi Theater Company
2022
La Mama Experimental Theatre
Long Day Journey into The Night
Directed by Robert O’Hara
Scenic and Costume Design by Clint Ramos
Lighting Design by Alex Jainchill
Sound Design by Palmer Hefferan
Projection Design by Yee Eun Nam
@Minetta Lane Theatre
2022
“......Nor do the house’s upper stories, as revealed through voids in the living room wall, offer relief from the creeping claustrophobia;
in one of the openings we see Mary repeatedly shooting up. (To judge from the spoon and flame, she’s using heroin now instead of morphine.)
If this, let alone her vomiting, feels too literal,
the astonishing projections by Yee Eun Nam are almost phantasmagoric in their abstraction.
They vividly suggest the solace that blossoms from the needle,
a solace that is at least in part a dissociation from reality......”
By Jesse Green ( New York Times )
Photos by Joan Marcus (Audible), Sara Krulwich/The New York Times
